{"id":9567,"date":"2020-05-21T16:29:38","date_gmt":"2020-05-21T14:29:38","guid":{"rendered":"http:\/\/www.digstudiomusic.com\/?p=9567"},"modified":"2020-09-19T14:43:00","modified_gmt":"2020-09-19T12:43:00","slug":"fenomeno-au-mic","status":"publish","type":"post","link":"https:\/\/www.digstudiomusic.com\/?p=9567","title":{"rendered":"Tchico Tchicaya"},"content":{"rendered":"

Parcours artistique<\/span><\/h4>\n

<\/span>Les d\u00e9buts<\/span><\/h4>\n
Tchico Tchicaya commence sa carri\u00e8re musicale en 1969 au sein de l’orchestre Manta Lokoka de Pointe-Noire1<\/a><\/sup>. Il y est dirig\u00e9 par le saxophoniste Paul Ngombe alias \u00ab\u00a0Pincky\u00a0\u00bb. Tchico se distingue en \u00e9tant l’auteur de deux chansons; Theresa-Rina<\/i> et Santa-Maguy, riches en harmonies vocales.<\/h6>\n

<\/span>L’\u00e9pop\u00e9e \u00a0\u00bb Bantou de la capitale \u00ab\u00a0<\/span><\/h4>\n
Tchico Tchicaya se fait remarquer par Nino Malapet et\u00a0Jean Serge Essous<\/span><\/a>, deux pilliers de la musique congolaise.<\/h6>\n
Entre 1972 et 1974, il rejoint Les Bantous de la capitale<\/a>,<\/span> orchestre phare du pays pendant cette p\u00e9riode. Il est l’un des chanteurs solistes qui renforcent le groupe, suite au d\u00e9part des artistes Celestin Nkouka Celio, Pam\u00e9lo Mounka<\/a><\/span> et C\u00f4me Mountouari dit Kosmos, partis former l’orchestre Le Peuple du trio CEPAKOS2<\/a><\/sup><\/span>note 2<\/span><\/a><\/sup><\/h6>\n
Tchico compose Isabelle mwana ya Kin<\/i>3<\/span><\/a><\/sup>, un opus qui va le r\u00e9v\u00e9ler au grand public.<\/h6>\n
L’aventure se poursuit jusqu’en 1976.<\/h6>\n

<\/span>L’afrobeat<\/span><\/h4>\n
Entre 1976 et 1979, il s’installe au Nigeria<\/span><\/a> et s’inspire des rythmes de l’Afrobeat<\/a><\/span>. Il y enregistre quatre albums et prend le surnom de \u00a0\u00bb Golden voice \u00a0\u00bb (\u00ab\u00a0La voix d’or\u00a0\u00bb<\/i> ) ou \u00ab\u00a0Le rossignol de Pointe-Noire\u00a0\u00bb<\/i>.<\/h6>\n
Son best seller Mamy-Rosa<\/i>, vendu \u00e0 plus de 800 000 exemplaires, lui permet de d\u00e9crocher son premier disque d\u2019or<\/a><\/span>. En 1977, il encha\u00eene avec From Congo to Nigeria<\/i>, recevant dans la foul\u00e9e son second disque d\u2019or.<\/h6>\n
En 1981, bien qu’adul\u00e9 au Nigeria, Tchico pr\u00e9f\u00e8re s’envoler pour Abidjan<\/a><\/span>, la capitale ivoirienne<\/span><\/a>.<\/h6>\n

Abidjan<\/span><\/h4>\n
A Abidjan, Tchico enregistre l’album \u00ab\u00a0L\u2019heure a sonn\u00e9 R\u00e9gina<\/i>\u00a0\u00bb, et obtient son troisi\u00e8me disque d\u2019or. Devenu une figure mondaine de la capitale, il c\u00f4toie les t\u00eates d\u2019affiche de cette \u00e9poque\u00a0: Fran\u00e7ois Lougah<\/a><\/span>, Mory Kant\u00e9<\/span><\/a>, Salif Keita<\/a><\/span>, Ernesto Dj\u00e9dj\u00e9<\/span><\/a>,<\/span> Am\u00e9d\u00e9e Pierre<\/span><\/a>,<\/span> Albert Doh, Bailly Spinto<\/a>,<\/span> A\u00efcha Kon\u00e9<\/a><\/span>.<\/h6>\n
Pendant la m\u00eame p\u00e9riode, il forme un duo avec son comp\u00e8re Mavoungou Lolo Lolitta et sortent en 1981 Jeannot, o\u00f9 est le s\u00e9rieux\u00a0?<\/i>4<\/a><\/sup>,<\/sup>5<\/a><\/sup><\/span>, devenu depuis un classique de tous les temps6<\/a><\/sup>.<\/span> En effet, cette chanson sera consacr\u00e9e meilleure chanson de l\u2019ann\u00e9e 1982 et num\u00e9ro un aux hit-parades des radios et t\u00e9l\u00e9vision d\u2019Afrique de l\u2019Ouest<\/span><\/a>.<\/h6>\n

Paris<\/span><\/h4>\n
En 1983, il s’installe \u00e0 Paris, inaugurant, bien avant les autres, cette qu\u00eate des artistes congolais pour l’enrichissement des sonorit\u00e9s venues d’ailleurs.<\/h6>\n
En effet, souhaitant donner \u00e0 sa carri\u00e8re une dimension beaucoup plus internationale, Tchico et son ami et guitariste soliste, le regrett\u00e9, Denis Loubassou, jettent leur d\u00e9volu sur la capitale fran\u00e7aise.<\/h6>\n
Tchico enregistre aupr\u00e8s de plusieurs maisons de disques avec son groupe musical, qui a chang\u00e9 de nom au fil du temps (African Kings, Afro Festival<\/i>, Ponton la Belle & Lolo Lolita<\/i>, Les Evad\u00e9s de Ponton la Belle<\/i>note 3<\/a><\/sup><\/span> ou encore Les Officiers de la musique africaine<\/i>, Kilimandjaro, Soukouss Machine<\/i>).<\/h6>\n
Les titres\u00a0: \u00ab\u00a0Soukous machine<\/i>\u00a0\u00bb, \u00ab\u00a0Cocktail tropical<\/i>\u00a0\u00bb et \u00ab\u00a0Ambiance \u00e0 Paris<\/i>\u00a0\u00bb enflamment les pistes de danse.<\/h6>\n
Dans les ann\u00e9es 1990, son \u00e9toile est l’une des plus brillantes du style musical Soukous<\/a><\/span>, avec comme pairs Kanda Bongo Man<\/span><\/a>,<\/span> Aurlus Mab\u00e9l\u00e9<\/span><\/a>,<\/span> Pepe Kalle<\/a><\/span> leader de l’Empire Bakouba, Diblo Dibala.<\/h6>\n
Tchico Tchicaya a con\u00e7u son style unique, en m\u00e9langeant harmonieusement la Rumba congolaise<\/span><\/a>,<\/span> la salsa cubaine<\/span><\/a> et les influences cara\u00efb\u00e9ennes7<\/span><\/a><\/sup>.<\/h6>\n

<\/span>L’Australie<\/span><\/h4>\n
De 1999 \u00e0 2005, il s’installe en Australie<\/span><\/a>,<\/span> o\u00f9 il fonde le groupe Warako Musica avec le chanteur Passi-Jo8<\/a><\/sup>.<\/span> En 2001, le groupe comprenait les chanteurs et danseurs Leona Chisala et Patrice Lumumba, le percussionniste Aho Lowani, le batteur Robbie Avenaim, le clavi\u00e9riste Michael Havir, le guitariste rythmique Jim Swanston et le bassiste Conrad Henderson9<\/a><\/sup>,<\/sup>10<\/a><\/sup>,<\/sup>11<\/a><\/sup>.<\/span><\/h6>\n
En 2000, Warako Musica<\/i> est aur\u00e9ol\u00e9 du Prix du Meilleur orchestre de sc\u00e8ne de l’Australie (\u201d Australia Best Live Music Awards \u201d)12<\/a><\/sup>,<\/sup><\/span>13<\/span><\/a><\/sup>.<\/h6>\n

De nos jours<\/span><\/h4>\n
De retour en France, il est actuellement le leader de la formation \u201cMaya-Maya Musica<\/i>\u201d14<\/span><\/a><\/sup>,<\/span> se produisant dans des salles plus intimistes telles qu’en Romainville<\/a><\/span>, en r\u00e9gion parisienne12<\/span><\/a><\/sup>.<\/span><\/h6>\n
Enrichi \u00e0 travers toutes ses p\u00e9r\u00e9grinations dans les diff\u00e9rentes contr\u00e9es du globe (Afrique, Europe, Cara\u00efbes, Oc\u00e9anie), Tchico Tchicaya s’est entour\u00e9 de talents de la nouvelle g\u00e9n\u00e9ration dans le but de p\u00e9r\u00e9niser, la musique congolaise dans le respect et l\u2019esprit des traditions Bantous<\/a><\/span> du Congo12<\/span><\/a><\/sup>,<\/sup>13<\/a><\/sup><\/span>.<\/h6>\n
Tchico chante et compose en plusieurs langues\u00a0: lingala<\/span><\/a>, kikongo<\/span><\/a>, fran\u00e7ais<\/span><\/a>, anglais<\/span><\/a>,<\/span> espagnol<\/span><\/a>, sango<\/a><\/span>, swahili<\/a>,<\/span> vili<\/a>,<\/span> sa langue maternelle15<\/a><\/sup> <\/span>et lari<\/a><\/span>.<\/h6>\n
Les m\u00e9lodies ancestrales et folkloriques, ainsi que les danses propos\u00e9es par \u201cMaya-Maya Musica<\/i>\u201d sont\u00a0: la rumba congolaise, le z\u00e9bola, le wara, le kiburikiri, le kingoli, l’ekongo, ankiera ntsie, chinkdinda, Kebe kebe<\/span><\/a>, mbouanda dipoupa, elele ndzoro, tchikumbi<\/a><\/span>, nzobi<\/a>,<\/span> ol\u00e9e, mondo, l\u00e8ngu\u00e8gu\u00e8, egnongo, yekeyeke13<\/span><\/a><\/sup>.<\/h6>\n
Pour la rumba, Maya-Maya Musica s’est inspir\u00e9 des trois courants majeurs \u00e0 la base de la renomm\u00e9e de ce genre musical\u00a0: les orchestres African-Jazz<\/span><\/a>, Bantous de la capitale et le TP OK Jazz<\/a><\/span> de Franco Luambo<\/a>15<\/a><\/sup>.<\/span><\/h6>\n","protected":false},"excerpt":{"rendered":"

Parcours artistique Les d\u00e9buts Tchico Tchicaya commence sa carri\u00e8re musicale en 1969 au sein de l’orchestre Manta Lokoka de Pointe-Noire1. Il y est dirig\u00e9 par le saxophoniste Paul Ngombe alias \u00ab\u00a0Pincky\u00a0\u00bb. Tchico se distingue en \u00e9tant l’auteur de deux chansons; Theresa-Rina et Santa-Maguy, riches en…<\/p>\n","protected":false},"author":2,"featured_media":9573,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[140],"tags":[],"yoast_head":"\nTchico Tchicaya – Dig Studio Music<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.digstudiomusic.com\/?p=9567\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tchico Tchicaya – Dig Studio Music\" \/>\n<meta property=\"og:description\" content=\"Parcours artistique Les d\u00e9buts Tchico Tchicaya commence sa carri\u00e8re musicale en 1969 au sein de l’orchestre Manta Lokoka de Pointe-Noire1. Il y est dirig\u00e9 par le saxophoniste Paul Ngombe alias \u00ab\u00a0Pincky\u00a0\u00bb. Tchico se distingue en \u00e9tant l’auteur de deux chansons; Theresa-Rina et Santa-Maguy, riches en...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.digstudiomusic.com\/?p=9567\" \/>\n<meta property=\"og:site_name\" content=\"Dig Studio Music\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/fr-fr.facebook.com\/digstudiomusic\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-05-21T14:29:38+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-09-19T12:43:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.digstudiomusic.com\/wp-content\/uploads\/2020\/05\/IMG_0227.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1152\" \/>\n\t<meta property=\"og:image:height\" content=\"768\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"biggy\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" 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